Yana Volf: Where Meticulous Precision and Patience Define Artistry

From Uzbekistan, she unveils mesmerizing optical illusions and precision in her charcoal portraits, capturing near-photographic perfection. Explore her meticulous compositions where patience meets artistic passion.

INTERVIEW WITH YANA VOLF

The anniversary group show at Les Couleurs Art Gallery was a celebration of Miami's vibrant artistic community, curated with meticulous care by gallery owner Aura Copeland and architect Robin Anezin. Located in the heart of Downtown Miami on East Flagler Street, the gallery has swiftly become a cultural focal point, nurturing emerging visual artists from diverse backgrounds over its inaugural year.

The evening was a testament to this cultural impact, drawing in 400 attendees eager to explore the works of 20 local artists whose creations adorned the gallery walls. Among them, the spotlight shone brightly on Yana Volf, an artist hailing from Uzbekistan, whose optical art geometric pieces captivated with their intricate designs that spoke of hours of meticulous craftsmanship and patience. Her charcoal drawings, equally compelling in their depth and detail, drew admiration and were swiftly acquired by Miami's renowned developer, Moishe Mana.

The event buzzed with energy as guests mingled, discussing the nuances of each piece and the broader themes of the exhibition. Prominent architect Kobi Karp added to the evening's prestige, engaging in conversations that bridged the worlds of art and architecture. Sparkling with conversation and punctuated by bursts of applause, the night encapsulated a year's worth of dedication and creativity, transforming Les Couleurs Art Gallery into a beacon of artistic expression in Miami's cultural landscape.

Artist YANA VOLF in her studio
from artist’s archives

LES COULEURS: What’s your background?

YANA VOLF: I was born in Uzbekistan, grew up in Turkey, and am now based in Miami.

LC: What’s your earliest memory of picking up a paintbrush?

YV:  I’ve always loved drawing for as long as I can remember, but I picked up a paintbrush at the age of 10 when I began taking oil painting classes in Turkey. 

LC: What themes do you pursue, what does your work aim to say?

YV: For the past three years, I have been very focused on my art. The first two years were concentrated on improving my skills, while the last year has seen me experimenting with new elements like incorporating colors and creating variety of shapes. Currently, I am really enjoying the harmonious and positive vibe my art exudes. It has also been very therapeutic for me. As of now, I don’t have a specific theme for my art; I am still exploring and on my journey to find my unique style.

Artist YANA VOLF in her studio

LC: If you could live with just one work of art, what would it be?

YV: If I could live with one work of art, it would be Van Gogh's 'Starry Night.' Its dynamic, dreamy essence is something I could explore and appreciate every day.

LC: What is your dream project?

YV: My dream project involves merging realism and optical art on large scale canvas or paper.

LC: Who are your biggest influences?

YV: My greatest influences include Chuck Close and Silvie Mehdal, along with Zaha Hadid, who is renowned for her fluid and futuristic architectural designs.

LC: Can you tell us about the process of making your work?

YV: In creating my artwork, I begin by conducting some research and combining several different images to form a unique composition. Once I have a clear concept, I sketch out the initial design. If I'm working with charcoal, I first fix the sketch to ensure it doesn't get lost during the drawing process. I then use three different charcoal pencils to begin shading the sketch. To achieve smooth transitions and soft textures, I use kitchen roller paper to smudge and blend the charcoal. For my optical art, I extensively use tape to achieve precise and perfect shapes, ensuring clean lines and accurate forms in the composition.

LC: Have you ever had a moment when you questioned your career entirely?

YV: Before settling on art as my career, I experimented with various jobs. These experiences confirmed my passion and commitment to art, leaving me with no doubt that it is the right path for me.

Alan Omsky, Yana Volf, Kobi Karp, Moishe Mana and Aura Copeland at Les Couleurs Art Gallery - Anniversary Show.

LC: If you could steal one painting, (from any gallery or museum)  and you knew you would never be caught,- what would it be? 

YV: If I could choose one painting to "steal," it would likely be one of Lionel Smit's works. He paints women's portraits using oils but employs a very unique style, layering colors thickly one atop the other to create a striking, textured effect.

LC: What role does the artist have in society?

YV: Artist plays a vital role in society by reflecting on cultural values, challenging norms, and inspiring creativity and emotional expression.

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